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	<title>Comments for Ariel Heryanto\'s Blog</title>
	<link>http://blogs.arts.unimelb.edu.au/arielh</link>
	<description>Just another Faculty Discussions weblog</description>
	<pubDate>Mon, 06 Oct 2008 19:03:40 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.3.1</generator>
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		<title>Comment on Islam and Popular Culture in Indonesia and Malaysia by Aditya</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2008/09/17/islam-and-popular-culture-in-indonesia-and-malaysia/#comment-3488</link>
		<dc:creator>Aditya</dc:creator>
		<pubDate>Mon, 06 Oct 2008 15:45:25 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2008/09/17/islam-and-popular-culture-in-indonesia-and-malaysia/#comment-3488</guid>
		<description>bagaimana komentar Bung Ariel - apakah anak muda Indonesia memang lebih hebat seperti yang dipuji oleh DR Farish Noor?</description>
		<content:encoded><![CDATA[<p>bagaimana komentar Bung Ariel - apakah anak muda Indonesia memang lebih hebat seperti yang dipuji oleh DR Farish Noor?</p>
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		<title>Comment on Islam and Popular Culture in Indonesia and Malaysia by arielh</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2008/09/17/islam-and-popular-culture-in-indonesia-and-malaysia/#comment-3467</link>
		<dc:creator>arielh</dc:creator>
		<pubDate>Sun, 05 Oct 2008 20:55:51 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2008/09/17/islam-and-popular-culture-in-indonesia-and-malaysia/#comment-3467</guid>
		<description>Terima kasih, Aditya.</description>
		<content:encoded><![CDATA[<p>Terima kasih, Aditya.</p>
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	<item>
		<title>Comment on Islam and Popular Culture in Indonesia and Malaysia by Aditya</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2008/09/17/islam-and-popular-culture-in-indonesia-and-malaysia/#comment-3465</link>
		<dc:creator>Aditya</dc:creator>
		<pubDate>Sun, 05 Oct 2008 18:18:02 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2008/09/17/islam-and-popular-culture-in-indonesia-and-malaysia/#comment-3465</guid>
		<description>Bung Ariel, 

Ada artikel bagus yang membandingkan generasi muda Islam di Indonesia dan Malaysia yang ditulis oleh Farish Noor di 
 http://www.othermalaysia.org/content/view/208/55/

Malaysia: This Is Only The Beginning        
Syndicated Column  

Written by Farish A. Noor     
Wednesday, 17 September 2008  

Recently I found myself in an open discussion with some of my students in the university I am based at in Indonesia. At the tender age of 18, this first-year student demonstrated both the intellectual acumen and political commitment I have come to expect from those twice his age, yet he was just one of the many students whom I am proud to say have come under my care and tutelage. After ten years of teaching experience, I have come to the simple conclusion that my Indonesian students are by far the smartest, gutsiest, honest and dedicated compared to the students I have taught in Malaysia, Singapore, Germany, France and Holland. Why? 

That an 18 year old can begin his university life equipped with enough political knowledge and commitment is a testimony to the success of a primary and secondary educational system that got it right. This boy is the product of the post-Suharto educational system of Indonesia, and living proof that the reformasi (reform) movement of the 1990s in Indonesia has succeeded. 

Yet the success of reformasi in Indonesia depended upon the quiet dedication of a legion of activist-academics who toiled day and night to dismantle the hegemonic structures of power and knowledge that were developed and consolidated during the three decades of Suharto's rule. This meant that they had to confront not only the hegemony of the old regime, but also replace much of the human and ideological resources that had been put in place between 1970 to 1998. Ten years later, the results are only beginning to show and it has proven to be a worthwhile endeavor after all. 

Malaysia today is at a similar crossroads where Indonesia was a decade ago. With the febrile grip of the Badawi government growing weaker by the day, there is much speculation that Malaysia's former Deputy Prime Minister and now de facto leader of the opposition, Anwar Ibrahim, is poised to take over the reins of power. It is widely speculated that Anwar now has more than forty members of Parliament who are prepared to leave the ruling UMNO party and join his People's Alliance to take over from the unpopular and discredited government of Badawi. Anwar has written to Badawi and called for a dialogue between the two to discuss a peaceful transition of power: something that has never happened in the course of Malaysia's 51-year history. 

Should such a transition happen, however, it would only mark the beginning of what must be a long and difficult process of reform and reconstruction. Like Indonesia, Malaysia has lived under half a century of hegemonic rule by one party – UMNO – and the ruling coalition it leads. Five decades of UMNO rule translates into five decades of pro-UMNO propaganda that has been normalised as news in the press, official history in school textbooks, official discourse in the workings of the state. This also means that the entire apparatus of the state – from the police and the armed forces to the bureaucracy, educational institutions, economic sector, etc. - have all been stamped with the lingering imprint of UMNO and UMNO's brand of racialised ethno-nationalist politics. 

Taking over the government of Malaysia is just the first step to reforming the country. What many Malaysians do not perhaps realise is how difficult and long the process of reconstruction will take. For instance, the task of re-writing the country's official history, that has so long borne the bias and slant of UMNO's ideologues, will be a herculean task in itself. Malaysia's communally fragmented society will demand representation on all levels in the new curriculum of the national educational system. The Muslims, for instance, may insist on a re-writing of Malaysian history primarily from their Islamist perspective. Other ethnic and cultural minorities may likewise call for an equally sectarian interpretation of history as well. And even if such a comprehensive history could be written, would a new government have the will to see to it that it is taught in schools? Decades of UMNO hegemony has also ensured that a pro-UMNO bias remains in many institutions of the state and to some extent the official ideology of UMNO has been internalised by many members of the bureaucracy. One can anticipate many rounds of furious polemics, protests and counter-protests, and not to mention countless efforts to sabotage the reform process in Malaysia before it even gets off the ground. 

Compared to the long road ahead and the obstacles that are bound to be put up in the face of reform, winning power and taking over the government will seem a relatively easy task. Much more difficult will be having to dismantle the structures of power and knowledge that have grown sedimented for so long, and overturning the dominant culture of racialised politics that has divided Malaysian society thus far. 
What is required therefore is a spirit of universal citizenship and a commitment to a non-racialised and non-communitarian Malaysia: a task that the present opposition alliance itself is not perhaps ready to take on considering its own communalist make-up, divided as it is between communitarian Islamists and left-leaning democrats. The first and enduring task therefore has to be the inculcation of the value of universal citizenship and civic commitment to Malaysia. Until today Malaysians see themselves as members of the Malay, Chinese or Indian races first, or place their religious identity before citizenship. Yet the creation of a democratic and equal Malaysia relies on that intangible quality known as Malaysian citizenship, a quality that is hard to quantify or define but crucial nonetheless for nation-building. Are there enough of such Malaysian-minded Malaysians who can build a new non-racialised non-sectarian Malaysia? Time alone will tell, but for now the prospect of an unprecedented change of government is the first of many long and difficult steps that has to be taken in the slow birth of a reformed Malaysia.</description>
		<content:encoded><![CDATA[<p>Bung Ariel, </p>
<p>Ada artikel bagus yang membandingkan generasi muda Islam di Indonesia dan Malaysia yang ditulis oleh Farish Noor di<br />
 <a href="http://www.othermalaysia.org/content/view/208/55/" rel="nofollow">http://www.othermalaysia.org/content/view/208/55/</a></p>
<p>Malaysia: This Is Only The Beginning<br />
Syndicated Column  </p>
<p>Written by Farish A. Noor<br />
Wednesday, 17 September 2008  </p>
<p>Recently I found myself in an open discussion with some of my students in the university I am based at in Indonesia. At the tender age of 18, this first-year student demonstrated both the intellectual acumen and political commitment I have come to expect from those twice his age, yet he was just one of the many students whom I am proud to say have come under my care and tutelage. After ten years of teaching experience, I have come to the simple conclusion that my Indonesian students are by far the smartest, gutsiest, honest and dedicated compared to the students I have taught in Malaysia, Singapore, Germany, France and Holland. Why? </p>
<p>That an 18 year old can begin his university life equipped with enough political knowledge and commitment is a testimony to the success of a primary and secondary educational system that got it right. This boy is the product of the post-Suharto educational system of Indonesia, and living proof that the reformasi (reform) movement of the 1990s in Indonesia has succeeded. </p>
<p>Yet the success of reformasi in Indonesia depended upon the quiet dedication of a legion of activist-academics who toiled day and night to dismantle the hegemonic structures of power and knowledge that were developed and consolidated during the three decades of Suharto&#8217;s rule. This meant that they had to confront not only the hegemony of the old regime, but also replace much of the human and ideological resources that had been put in place between 1970 to 1998. Ten years later, the results are only beginning to show and it has proven to be a worthwhile endeavor after all. </p>
<p>Malaysia today is at a similar crossroads where Indonesia was a decade ago. With the febrile grip of the Badawi government growing weaker by the day, there is much speculation that Malaysia&#8217;s former Deputy Prime Minister and now de facto leader of the opposition, Anwar Ibrahim, is poised to take over the reins of power. It is widely speculated that Anwar now has more than forty members of Parliament who are prepared to leave the ruling UMNO party and join his People&#8217;s Alliance to take over from the unpopular and discredited government of Badawi. Anwar has written to Badawi and called for a dialogue between the two to discuss a peaceful transition of power: something that has never happened in the course of Malaysia&#8217;s 51-year history. </p>
<p>Should such a transition happen, however, it would only mark the beginning of what must be a long and difficult process of reform and reconstruction. Like Indonesia, Malaysia has lived under half a century of hegemonic rule by one party – UMNO – and the ruling coalition it leads. Five decades of UMNO rule translates into five decades of pro-UMNO propaganda that has been normalised as news in the press, official history in school textbooks, official discourse in the workings of the state. This also means that the entire apparatus of the state – from the police and the armed forces to the bureaucracy, educational institutions, economic sector, etc. - have all been stamped with the lingering imprint of UMNO and UMNO&#8217;s brand of racialised ethno-nationalist politics. </p>
<p>Taking over the government of Malaysia is just the first step to reforming the country. What many Malaysians do not perhaps realise is how difficult and long the process of reconstruction will take. For instance, the task of re-writing the country&#8217;s official history, that has so long borne the bias and slant of UMNO&#8217;s ideologues, will be a herculean task in itself. Malaysia&#8217;s communally fragmented society will demand representation on all levels in the new curriculum of the national educational system. The Muslims, for instance, may insist on a re-writing of Malaysian history primarily from their Islamist perspective. Other ethnic and cultural minorities may likewise call for an equally sectarian interpretation of history as well. And even if such a comprehensive history could be written, would a new government have the will to see to it that it is taught in schools? Decades of UMNO hegemony has also ensured that a pro-UMNO bias remains in many institutions of the state and to some extent the official ideology of UMNO has been internalised by many members of the bureaucracy. One can anticipate many rounds of furious polemics, protests and counter-protests, and not to mention countless efforts to sabotage the reform process in Malaysia before it even gets off the ground. </p>
<p>Compared to the long road ahead and the obstacles that are bound to be put up in the face of reform, winning power and taking over the government will seem a relatively easy task. Much more difficult will be having to dismantle the structures of power and knowledge that have grown sedimented for so long, and overturning the dominant culture of racialised politics that has divided Malaysian society thus far.<br />
What is required therefore is a spirit of universal citizenship and a commitment to a non-racialised and non-communitarian Malaysia: a task that the present opposition alliance itself is not perhaps ready to take on considering its own communalist make-up, divided as it is between communitarian Islamists and left-leaning democrats. The first and enduring task therefore has to be the inculcation of the value of universal citizenship and civic commitment to Malaysia. Until today Malaysians see themselves as members of the Malay, Chinese or Indian races first, or place their religious identity before citizenship. Yet the creation of a democratic and equal Malaysia relies on that intangible quality known as Malaysian citizenship, a quality that is hard to quantify or define but crucial nonetheless for nation-building. Are there enough of such Malaysian-minded Malaysians who can build a new non-racialised non-sectarian Malaysia? Time alone will tell, but for now the prospect of an unprecedented change of government is the first of many long and difficult steps that has to be taken in the slow birth of a reformed Malaysia.</p>
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		<title>Comment on Between Ann Arbor and Melbourne (2007) by JOSEPH LEE</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2007/06/03/between-ann-arbor-and-melbourne-2007/#comment-2671</link>
		<dc:creator>JOSEPH LEE</dc:creator>
		<pubDate>Thu, 18 Sep 2008 03:46:35 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2007/06/03/between-ann-arbor-and-melbourne-2007/#comment-2671</guid>
		<description>It was interesting to read your article, especially on the subject of "Indonesia". Being raised in Melbourne (and graduated from Melbourne Uni) and now living in Ann Arbor (for the last 14 months), it is usual finding ex-Melbournian, let alone ex-Aussie in Ann Arbor. One thing I could comment is that it is thankful, if the majority of Americans know where Indonesia is located! (Sorry for cynical comment, but for the Americans, they are the center of the universe!).</description>
		<content:encoded><![CDATA[<p>It was interesting to read your article, especially on the subject of &#8220;Indonesia&#8221;. Being raised in Melbourne (and graduated from Melbourne Uni) and now living in Ann Arbor (for the last 14 months), it is usual finding ex-Melbournian, let alone ex-Aussie in Ann Arbor. One thing I could comment is that it is thankful, if the majority of Americans know where Indonesia is located! (Sorry for cynical comment, but for the Americans, they are the center of the universe!).</p>
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		<title>Comment on Estetika dan Mitos Perempuan dalam Iklan oleh Sumbo Tinarbuko by spew-it-all</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2008/08/23/estetika-dan-mitos-perempuan-dalam-iklan-oleh-sumbo-tinarbuko/#comment-1926</link>
		<dc:creator>spew-it-all</dc:creator>
		<pubDate>Tue, 02 Sep 2008 13:30:31 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2008/08/23/estetika-dan-mitos-perempuan-dalam-iklan-oleh-sumbo-tinarbuko/#comment-1926</guid>
		<description>There are some problems with the article. Firstly, it seems to me the author sees feminism as single entity. As a result, the author did not include the paradigm shift in feminism from patriarchy to agency. Which feminism does the author refer to? Is it Germaine Greer? How about Catherine Lumby or Elspeth Probyn? 

Secondly, i am wondering how well does feminism in Indonesia engage with the feminist debates at international level? It might be fair to argue that feminism in Indonesia is still focusing too much on structure ie patriarchy and ignore the role of agency. Of course patriarchy is entrenched but structure is not self-sustained and there is always room of decoding and deconstructing the hegemonic idea. 

This discussion reminds of feminist debates on prostitutions in 19th century England in that feminist movements were divided into two camps. The first group saw prostitutions as victims but the other one thought by coming out of the street they contested the strict gender role in geographical sense (home and work, home and street).</description>
		<content:encoded><![CDATA[<p>There are some problems with the article. Firstly, it seems to me the author sees feminism as single entity. As a result, the author did not include the paradigm shift in feminism from patriarchy to agency. Which feminism does the author refer to? Is it Germaine Greer? How about Catherine Lumby or Elspeth Probyn? </p>
<p>Secondly, i am wondering how well does feminism in Indonesia engage with the feminist debates at international level? It might be fair to argue that feminism in Indonesia is still focusing too much on structure ie patriarchy and ignore the role of agency. Of course patriarchy is entrenched but structure is not self-sustained and there is always room of decoding and deconstructing the hegemonic idea. </p>
<p>This discussion reminds of feminist debates on prostitutions in 19th century England in that feminist movements were divided into two camps. The first group saw prostitutions as victims but the other one thought by coming out of the street they contested the strict gender role in geographical sense (home and work, home and street).</p>
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		<title>Comment on Mira Lesmana in Melbourne by Emma Bottomley</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2007/09/30/mira-lesmana-in-melbourne/#comment-1903</link>
		<dc:creator>Emma Bottomley</dc:creator>
		<pubDate>Mon, 01 Sep 2008 03:47:12 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2007/09/30/mira-lesmana-in-melbourne/#comment-1903</guid>
		<description>We host the Indonesian Radio program in Geelong every thursday evening 7-8pm on 94.7 The Pulse. 

Do you have any info re: 2008 Indonesian Film Festival in Melb?

Terima Kasih 
Emma Bottomley

eva2301@hotmail.com
mob: 0432 956 313</description>
		<content:encoded><![CDATA[<p>We host the Indonesian Radio program in Geelong every thursday evening 7-8pm on 94.7 The Pulse. </p>
<p>Do you have any info re: 2008 Indonesian Film Festival in Melb?</p>
<p>Terima Kasih<br />
Emma Bottomley</p>
<p><a href="mailto:eva2301@hotmail.com">eva2301@hotmail.com</a><br />
mob: 0432 956 313</p>
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		<title>Comment on Akhir Sebuah Cerita by Retty</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2008/05/15/akhir-sebuah-cerita/#comment-1900</link>
		<dc:creator>Retty</dc:creator>
		<pubDate>Mon, 01 Sep 2008 00:22:36 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2008/05/15/akhir-sebuah-cerita/#comment-1900</guid>
		<description>Hari Minggu kemarin 31 Agustus tiba-tiba ada Catatan Minggu dengan hampir separuh kolom kosong...rupanya cerita bisa berganti nama...mudah-mudahan akan ada perubahan ke arah yang lebih baik...</description>
		<content:encoded><![CDATA[<p>Hari Minggu kemarin 31 Agustus tiba-tiba ada Catatan Minggu dengan hampir separuh kolom kosong&#8230;rupanya cerita bisa berganti nama&#8230;mudah-mudahan akan ada perubahan ke arah yang lebih baik&#8230;</p>
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		<title>Comment on Festival Film Malaysia di Melbourne by aditya pramadana</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2008/08/16/festival-film-malaysia-di-melbourne/#comment-1674</link>
		<dc:creator>aditya pramadana</dc:creator>
		<pubDate>Sat, 16 Aug 2008 07:58:58 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2008/08/16/festival-film-malaysia-di-melbourne/#comment-1674</guid>
		<description>maaf pak. saya bkn brtujuan mengomentari tulisan anda, tetapi saya mau blng klo website anda sdh saya link-kan k web site saya. he...he...he... 

oh iya klo bsa bapak tolong bka website saya ya...tapi isinya msh sedikit. maklum bru buat. hehehe..


bntng (14)</description>
		<content:encoded><![CDATA[<p>maaf pak. saya bkn brtujuan mengomentari tulisan anda, tetapi saya mau blng klo website anda sdh saya link-kan k web site saya. he&#8230;he&#8230;he&#8230; </p>
<p>oh iya klo bsa bapak tolong bka website saya ya&#8230;tapi isinya msh sedikit. maklum bru buat. hehehe..</p>
<p>bntng (14)</p>
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		<title>Comment on Festival Film Malaysia di Melbourne by Richard Oh</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2008/08/16/festival-film-malaysia-di-melbourne/#comment-1673</link>
		<dc:creator>Richard Oh</dc:creator>
		<pubDate>Sat, 16 Aug 2008 04:51:14 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2008/08/16/festival-film-malaysia-di-melbourne/#comment-1673</guid>
		<description>Dunia perfilman negara tetangga kita ini memang cukup agresif. Sineas mereka, Yasmin Ahmad, Yuhang Ho, James Lee, selama beberapa tahun terakhir menjadi bahan perbicaraan di berbagai festival dunia. Yasmin Ahmad sekarang sedang mengerjakan sebuah film yang katanya akan didukung oleh NHK, Jepang, setelah filmnya Muchsin menang di festival film di Australia, APSA. James Lee tahun lalu juga menang di Bangkok International Film Festival, Yuhang sudah berkeliling dan menang di mana-mana, proyek barunya At the End of Daybreak baru diumumkan akan didukung oleh Pusan International Film Festival dalam proses pascaproduksi. Film-film sutradara Malaysia ini sekarang didanai oleh banyak rumah produksi luar negeri. Yuhang dan James Lee oleh Focus H.K, dan Yasmin dilirik banyak rumah produksi dari dalam dan luar negeri. Uniknya kelompok sineas ini sangat akrab antar mereka. James Lee dan Yuhang membantu Yasmin, dan sebaliknya. Hal yang masih jarang kita lihat di industri perfilman di tanah air, yang mulai berkesan merujuk ke Hollywood, dan dikuasai sekelompok produser sangat komersial. Sineas-sineas Malaysia yang saya sebut di atas menggarap film-film mereka dengan inovasi estetika yang bersaing dengan film-film sejenis di luar negeri. Walaupun film-film mereka pada akhirnya di dalam negeri kurang diminati, tetapi mereka mampu menunjukkan pada akhirnya sebuah karya yang punya nilai lebih dari hanya hiburan selalu akan diakui dunia lain. Dari segi pendukungan dari pihak pemerintah, saya kira Malaysia sebenarnya tidak jauh beda dengan negara kita: yakni, hampir tidak ada. Sebagain sineas Malaysia tetap harus berjuang dengan bekerja di bidang periklanan, seperti Yasmin, Yuhang dan mencoba mendapat pendanaan dari Rotterdam, Pusan atau pun negara-negara maju. Yang berbeda dengan negara kita, Malaysia menerapkan aturan screening time selama 14 hari untuk film-film dalam negeri di bioskop. Satu kelebihan yang membantu produser film untuk bisa mengembalikan sedikit dana dari karya-karya mereka. Sistem yang ada sekarang dengan Studio21 sangat tidak membantu. Film-film yang gagal dalam kurun waktu sehari atau dua hari untuk memperoleh sejumlah penonton, akan segera ditarik. Kemudian para stasiun televisi dalam negeri juga hanya tertarik film-film cinta atau pun horor yang sama sekali tidak punya nilai estetika lebih dan tidak mendukung apresiasi film penonton kita. Keadaan seperti ini sama sekali tidak menunjang perkembangan film dalam negeri. Setiap produksi film yang agak keluar dari jalur komersial akan sangat riskan: satu-satu harapan pembuat film seperti ini adalah penjualan rights ke luar negeri. 
Saya dengar dari teman-teman yang berhubungan dengan pihak Dirjen Komisi Perfilman bahwa dalam waktu dekat akan diadakan pundi perfilman yang akan menunjang pembuatan sepuluh film setiap tahun. Orang-orang film dalam negeri selalu menanggapi kiprah seperti ini dalam tahun pemilu dengan sinis. Masih ingat pada era Megawati, deputi menteri kebudayaan kita sepakat dengan pihak Singapura untuk membantu pembuatan film digital? Mana hasilnya? Terus dana yang dikucurkan untuk pembuatan film selalu diberikan ke beberapa kelompok yang jelas dengan hasilnya juga sangat meragukan. Hampir tidak ada film yang pendanaan dari pemerintah itu berhasil membuat terobosan di festival film dunia. Setiap film yang digarap dengan serius dengan narasi di luar mainstream horor dan komedi slapstick digandrungi penonton-penonton dalam negeri selalu menderita kerugian. Yang boleh dibanggakan adalah film-film digarap secara indie ini sekarang mulai berkeliling di festival-festival film mancanegara: Fiksi oleh Mauly Siregar akan ditayang di Pusan International Film Festival, Photograph, di Locarno, dan Mereka Bilang Saya Monyet sudah bersaing di Singapore International Film Festival dan Ocean Cinefan di New Delhi. Tentu saja kita sudah juga tahu sepak terjang Nia Dinata, Garin Nugraha (yang sekarang diaku sebagai salah sineas terbaik dunia).</description>
		<content:encoded><![CDATA[<p>Dunia perfilman negara tetangga kita ini memang cukup agresif. Sineas mereka, Yasmin Ahmad, Yuhang Ho, James Lee, selama beberapa tahun terakhir menjadi bahan perbicaraan di berbagai festival dunia. Yasmin Ahmad sekarang sedang mengerjakan sebuah film yang katanya akan didukung oleh NHK, Jepang, setelah filmnya Muchsin menang di festival film di Australia, APSA. James Lee tahun lalu juga menang di Bangkok International Film Festival, Yuhang sudah berkeliling dan menang di mana-mana, proyek barunya At the End of Daybreak baru diumumkan akan didukung oleh Pusan International Film Festival dalam proses pascaproduksi. Film-film sutradara Malaysia ini sekarang didanai oleh banyak rumah produksi luar negeri. Yuhang dan James Lee oleh Focus H.K, dan Yasmin dilirik banyak rumah produksi dari dalam dan luar negeri. Uniknya kelompok sineas ini sangat akrab antar mereka. James Lee dan Yuhang membantu Yasmin, dan sebaliknya. Hal yang masih jarang kita lihat di industri perfilman di tanah air, yang mulai berkesan merujuk ke Hollywood, dan dikuasai sekelompok produser sangat komersial. Sineas-sineas Malaysia yang saya sebut di atas menggarap film-film mereka dengan inovasi estetika yang bersaing dengan film-film sejenis di luar negeri. Walaupun film-film mereka pada akhirnya di dalam negeri kurang diminati, tetapi mereka mampu menunjukkan pada akhirnya sebuah karya yang punya nilai lebih dari hanya hiburan selalu akan diakui dunia lain. Dari segi pendukungan dari pihak pemerintah, saya kira Malaysia sebenarnya tidak jauh beda dengan negara kita: yakni, hampir tidak ada. Sebagain sineas Malaysia tetap harus berjuang dengan bekerja di bidang periklanan, seperti Yasmin, Yuhang dan mencoba mendapat pendanaan dari Rotterdam, Pusan atau pun negara-negara maju. Yang berbeda dengan negara kita, Malaysia menerapkan aturan screening time selama 14 hari untuk film-film dalam negeri di bioskop. Satu kelebihan yang membantu produser film untuk bisa mengembalikan sedikit dana dari karya-karya mereka. Sistem yang ada sekarang dengan Studio21 sangat tidak membantu. Film-film yang gagal dalam kurun waktu sehari atau dua hari untuk memperoleh sejumlah penonton, akan segera ditarik. Kemudian para stasiun televisi dalam negeri juga hanya tertarik film-film cinta atau pun horor yang sama sekali tidak punya nilai estetika lebih dan tidak mendukung apresiasi film penonton kita. Keadaan seperti ini sama sekali tidak menunjang perkembangan film dalam negeri. Setiap produksi film yang agak keluar dari jalur komersial akan sangat riskan: satu-satu harapan pembuat film seperti ini adalah penjualan rights ke luar negeri.<br />
Saya dengar dari teman-teman yang berhubungan dengan pihak Dirjen Komisi Perfilman bahwa dalam waktu dekat akan diadakan pundi perfilman yang akan menunjang pembuatan sepuluh film setiap tahun. Orang-orang film dalam negeri selalu menanggapi kiprah seperti ini dalam tahun pemilu dengan sinis. Masih ingat pada era Megawati, deputi menteri kebudayaan kita sepakat dengan pihak Singapura untuk membantu pembuatan film digital? Mana hasilnya? Terus dana yang dikucurkan untuk pembuatan film selalu diberikan ke beberapa kelompok yang jelas dengan hasilnya juga sangat meragukan. Hampir tidak ada film yang pendanaan dari pemerintah itu berhasil membuat terobosan di festival film dunia. Setiap film yang digarap dengan serius dengan narasi di luar mainstream horor dan komedi slapstick digandrungi penonton-penonton dalam negeri selalu menderita kerugian. Yang boleh dibanggakan adalah film-film digarap secara indie ini sekarang mulai berkeliling di festival-festival film mancanegara: Fiksi oleh Mauly Siregar akan ditayang di Pusan International Film Festival, Photograph, di Locarno, dan Mereka Bilang Saya Monyet sudah bersaing di Singapore International Film Festival dan Ocean Cinefan di New Delhi. Tentu saja kita sudah juga tahu sepak terjang Nia Dinata, Garin Nugraha (yang sekarang diaku sebagai salah sineas terbaik dunia).</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Launch of Popular Culture in Indonesia by Sumit Mandal</title>
		<link>http://blogs.arts.unimelb.edu.au/arielh/2008/07/08/launch-of-popular-culture-in-indonesia/#comment-1588</link>
		<dc:creator>Sumit Mandal</dc:creator>
		<pubDate>Sun, 03 Aug 2008 15:22:37 +0000</pubDate>
		<guid>http://blogs.arts.unimelb.edu.au/arielh/2008/07/08/launch-of-popular-culture-in-indonesia/#comment-1588</guid>
		<description>Congratulations Ariel! It is several weeks from the event at this stage, but I found out only when I read your blog tonight. I am thrilled to hear that the launch was a great success and look forward to reading the book.</description>
		<content:encoded><![CDATA[<p>Congratulations Ariel! It is several weeks from the event at this stage, but I found out only when I read your blog tonight. I am thrilled to hear that the launch was a great success and look forward to reading the book.</p>
]]></content:encoded>
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